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Friday, May 13, 2016

Light Bracket for my Overhead Camera Rig

This was a quick project to allow me to mount my LED lights directly onto the posts of my overhead camera rig.

The LED lights came with a short tripod base, but by unscrewing the lamp module from the base I realized they could be mounted on my camera rig. I just needed a bracket that would allow me to adjust the angle and direction they pointed at.  This is the solution I came up with:



Carved from a scrap of red oak using my CNC.


The center hole is 1/4" diameter for a 1/4" bolt.


The side hole was drilled with a #7 drill bit and tapped for 1/4-20 threads.


Each post was drilled and tapped for 1/4-20 bolts.


Friction between the bracket and post keeps the light from rotating when the bolt is tight.


Angle of the light can be adjusted by loosening the knurled handle.


 I will seal these brackets with tung oil to prolong their lifespan, and slow down any tendency to expand or contract. For the moment they seem strong enough, but the drier the oak becomes the greater chance it may split under the load of the lamp.

4D





Creative CNC Joinery, and Other CNC-Cut Solutions.

Text and photos in this and every other post of this blog are copyrighted. 

My furniture design students often came up with designs/parts that looked difficult or impossible to build.  We have 3 CNCs now in the design workshop, and two of them have been modified to allow CNC cuts on boards mounted vertically or at an angle or compound angle. When you are released from the limitations of flat cutting a world of potential is revealed. What seems impossible or difficult to make at first often becomes possible with a little sketching, drafting, jig design, experimentation, determination, and innovative tool path creation.

It is important to understand the structural properties of the materials used when trying out an original joint or cutout.  Grain direction, wood expansion and contraction, dryness, natural flaws, stiffness, flexibility, and tendency to split, are just a few of the things to consider.

Some examples of the original CNC-cuts solutions I've come up with:


Three-way center interlock:
  
















We have our advanced students design and build a 3-legged (or fewer legs) stool during the first two weeks of class. When 3 legs need to be connected with a stretcher there are only a few options.  You can run stretchers from leg to leg around the perimeter. You can bring stretchers to the middle, pin wheeling them to each touch the other two. You could bring them into a center hub piece. The simplest way at first could bring them to meet at the very center, except there is only a small area of intersection you can make a 3-way joint within.  A 3-layer "stack" would work, but removes 2/3 the thickness off each stretcher, and leaves the center piece needing to be cut on both sides or from the top.  My 3-way interlock maximizes glue surface area, maintains through-grain structure. vertical stiffness, and still locks the three elements together within that small area. You cut the same profile on the ends of each piece from the top. This pattern can be scaled up or down to match the width of your stretchers, and is only limited in height, diameter, or by the length of the bit you'll use to cut it. One application for it:  
3 on 3, connected with a center bolt.

Angled through-scarf-lap joint:
 


Often a project requires one board to appear to pass through another. If the same size they can be half-lapped. If a smaller piece is at the edge of a larger piece you can still interlock both with cuts into their edges.  When a small board penetrates the center of a wider board the options are limited. Cut the through board and pass a dowel through the larger piece into these cut ends. Or half-lap the through board inside a hole cut through the wide board.  You could make short tenons on each cut end and mortise them half way into the wider board.  

The result from all of these options is a joint that is weaker than the original strength of the through piece.  My angled through scarf lap joint maximizes side grain glue surface, maintains strength at the ends of each half, and is invisible once glued together. Sloped halves meet inside the joint. This sloped intersection wedges out as the parts are clamped in, leaving them very tight inside the hole.

Compound angle mortise and tenons:

In chair frame design a potentially more interesting and inviting solution can be found by flaring the sides out, wider in plan view at the front than the back. A more stable footprint can be found by flaring the legs out, wider in front view at the bottom than at their tops. The challenge this creates is that now any structural connections (stretchers) between the two sides would meet the sides at a compound angle. By first cutting the extended (by the length of the tenon) end of each stretcher parallel to the face of the side it will intersect, and then clamping that stretcher on the CNC so that compound end is perpendicular to the CNC bit, we can cut a standard tenon to go 90 degrees into the angled sides, at the compound angle relative to the stretcher required.

Half blind mitered dovetailed corners:

This half blind dovetail example was a request from a student in my CNC focused furniture joinery class.  He had found a photo example online, and as far as my research got it looked as though you could use a jig on the router table to cut half of this joint, but the other half would need to be hand cut. The CNC solution came to me one night and required making a jig to hold his panels under the CNC at 45 degrees, and once we had that we could cut both halves of a slight variation that looks exactly like the original example.  This joint can also be cut for 72 degree (5 sides) and 60 degree (6 sides) corners. I made a 5-sided box with the dovetails laid out to spell my name in Morse code just to inspire the students.

Creative through-finger joints:
Triangular pins.  Walnut centers.

Pseudo Dovetails
Once you are able to cut vertically on a CNC an obvious joint to make is the box joint. But now that you can make box joints with the precision and control of a CNC, the different sizes of router bits available present options for amazing creativity in the shape of the interlocking fingers. A pattern drawn for the positive side of a joint can be used with only a little modification to make the negative pattern for other side. The round shape of each bit and length of the cutting edge are the only limitation, but results can be as varied as your name in through-fingers, Morse code in dots and dashes as through fingers, or geometric patterns or progressions as through fingers.

A Challenge by a Fellow Professor. 

Finger (box) and dovetail joints on other than 90 degree corners.

It is rare to see a 5-sided (or 3 or 6 or 7 sided) box in an internet search for wood boxes. Why?  Most woodworking equipment is set up to work at 90 degrees. Four 90-degree corners make a 4-sided box.  In furniture design a 100 degree or 105 degree angle between chair frame parts might be more interesting than 90 degrees, but traditional methods of creating joinery at those odd angles limits their use.  To make fingers on a 5-sided box each end needs to be cut at 72 degrees. An angle jig (set at 18 degrees) on the CNC will let you clamp these sides under the bit so their 72 degree end is perpendicular to it.  The same strategy can be used for more complicated joinery on non-90 degree corners, however some joints may need clamping ends at two different angles.

Of course, a CNC's precision can always make perfectly centered "ordinary" finger joints no matter the width of the board used
.




Pin Joints.  These examples are an experimental set of fairly conventional joints, with the added strength from fingers/pins cut in the end grain of one part to pierce the other part of the joint.

Reinforced with 3 finger tenons.

Angle intersect...

A simple butt joint?

Not so simple.  4 x 5 end grain pin array.
Pins add a great deal of glue surface area for these joints. They are difficult to pull apart without glue. With glue the wood around the joint would fail before the joint does.
Simple rabbet?

2 x 5 pin array hidden inside.
Shoulder Rabbet.
Back side: Shouldered rabbet.
Hidden end-grain pins.
Pins full depth of joint.


Through Pins.  End grain should pop with finish. 

Hidden (blind) finger row on 45 degree board intersection.  Fingers cut in end grain don't always have to be on the ends of the two boards that are being joined.  When one board has to intersect the middle of another board a row of tenons into matching slots will still be a strong joint.  When the boards don't meet at 90 degrees an angle clamping fixture can still help cut a working solution.





An alternative to the 45 degree joint above, with a slightly different look would be this triple tenon version:
Slot half was cut while clamped at 45 degrees.  Tenon half was clamped vertically.



Predetermined alignment of cutouts on bending plywood laminations.  Curved parts can be made by gluing together layers of thin wood or bending plywood around a form.  If the part has cutouts they can be difficult to cut after being curved. With the CNC these layers can be individually cut to include the cutouts, with each layer slightly different than the others to account for their position in the stack.  One good example is this aquarium stand.  Inner layers are shorter than outer layers, so we reduced each layer by a fractional amount so that the holes would only line up after being clamped around the form. Extra holes were added for pins to keep the parts aligned while the glue dried.



Tapered sliding dovetails, positive and negative halves.   The angle, width, and length of most dovetail bits can be found on the packaging they come in, or etched on the bits themselves.  Knowing this it is possible to lay out a single depth tool path to run that dovetail bit down a tapering path to cut the slot in a board's face and both sides of the projecting dovetail on another board's edge or end. The plunge for a dovetail bit usually starts outside of the board.  Slots are best cleared out with a pocketing straight bit before the dovetail bit undercuts the sloped sides. Blind slots can be cut with the path line entering then doubling back.  A small degree of taper down the length of the dovetail slot lets the joint slide in easily yet lock very tight once fully inserted.

Angled slices through cylindrical shapes as they turn on a rotary axis.  A sine wave pattern was necessary to have the router cut what appears to be a straight 30 degree slice through these cylinders.

Sine wave pattern used to cut recess for aluminum.

Ramping dovetails.  When two boards meet at a low angle to each other, such as the a-frame sides on this cart, you only have a few options on how to connect them using just the initial mass of each piece.  You could butt-glue them edge to edge, but the standing V wants to do the splits and may still split this joint apart.   Looking at how much they overlap before being mitered a single option remains for a joint that will increase glue surface area and interlock the two halves.  You can cut a dovetail slot in one side and leave a dovetail tongue on the other. These will ramp together, locking the two halves when flush at the top.

Mitered corners with splines.  This example needed a little cleanup with a 1/8" chisel to remove the fillets left by the round 1/8" bit.  The opposing splines help when gluing this joint together as they keep the mitered faces from sliding apart under clamping pressure.




Construction Lumber Joinery.  These examples show how a building (Tiny House in my case) could be put together using CNC-cut joinery rather than nails.





The joinery options shown and described here just scratch the surface of what is possible when you can clamp parts vertically or at any angle/compound angle under a 3-axis CNC.

The rig I use to clamp parts vertically or at any angle is described here.

Several other CNC cut joints I've document in these posts:

Comments and questions are welcomed.
4D

Thursday, May 12, 2016

The Value of Scale Modelling.

I have my students make 1/4th scale models of their furniture designs before committing to the design and investing in a full size prototype. 1/4th scale is simply a standard I've settled on for evaluating all projects consistently.  The scale used isn't as important as trying to make the model realistic. For example: If the design is in wood then I ask them to use wood (and preferably the same species of wood) for the model. If the design is metal then they use the same metal for the model.

If the model is made accurately you can test it for stability and strength, predicted mechanical function  (if any), as well as for appearance realities.


Strength is how well the design resists both static and dynamic loads (forces). A static load is any non-moving load on the design, like a TV on a TV stand or the books on a book case.  Dynamic loads are active interactions with the design, like sliding a dresser across the carpet or propping your feet up on a coffee table.  Knowing the scale used is critical here, because you can also scale the loads applied for testing. If a chair is designed to support a 250lb occupant, a 1/4th scale model of it should support 250/4/4/4 or 3.9ish (4) lbs.  Use the same math for any 3D model.  A 1/5th scale model of the same chair should support 250/5/5/5 or 2lbs. On chairs more than any other type of furniture the dynamic loads can be unexpected, and far more than the average static weight of a seated occupant. We fidget and lean and slump. The momentary force of just sitting down can be double our actual force on the chair. Force = Mass x Acceleration.  Getting out of a chair can put larger forces on the arms and front legs.  Since some of us do push-up from the arms of chairs this suggests the arms of a design should support the entire weight of the anticipated occupant. You can test this in a model with some creative loading.

Stability asks: "Will the design remain steady and standing once loads are applied?". I often see student designs tip over when loaded.  Sometimes a load deflects a model in an unexpected way. Legs may wobble or twist under load.  These are NOT reactions most students can predict from a computer rendering.  It is far better to discover this in a scale model than in an expensive full-scale prototype. The model can also reveal weaknesses in joinery, hardware used, materials used, and the design geometry itself.






Any furniture that folds, opens, or adjusts has a mechanical component. When the design is mechanical a model can prove that the action works (or doesn't work).  In these cases a VERY accurate model is required, and my students typically cut parts for these models on a CNC router or CNC laser cutter. 



Models will also reveal appearance realities. This is the difference between how a design appears on a computer screen and how perspective, lighting, materials and textures appear in reality.  The visual qualities of real materials used will often differ from their computer rendered equivalents. Wood, for example, varies in color from board to board, and the grain pattern we see will change significantly depending on how the board was cut from the tree. That grain pattern can distract from or accentuate a design.  I have never seen a computer rendering display how quarter-sawn Oak or Ash can emphasize the linearity of a design. Face-cut boards of the same species will often obscure it.  At 1/4 scale this distinction can be lost since the grain pattern does not scale down on real parts. Yet many times this very distinction has proven itself in a model when the generic rendering of wood grain in software fails.

I had a student who designed subtle faceted surfaces on console cabinet doors to add visual interest. A computer rendering of this detail required exaggerating the lighting applied to make the facets show up. That should have been a clue.  The model showed such details became lost in shadows. They were minimized in the generality of real light.  The reality of light is rarely as specific as it can be rendered on a computer. The model suggested eliminating that detail as a waste of time, or at least altering it until the desired visual effect was achieved in more typical room light.

It is useful to have an accurate postal scale available, as it is hard to know the real weight of common objects that one might want to test their models with.  A bottle of water comes in handy as you can add or subtract water to arrive at the desired weight. Sometimes a handful of coins will be enough.  My students will put coins in a plastic bag to use for testing.

Access to CNC technology is also valuable, as perfect, accurate scaled parts can be made from wood, plastics, man-made composites, and soft metals.  I've cut scale brackets from old aluminum license plates, and scale washers from plastic milk carton sides. With a small 1/16" or 1/32" straight bit in a CNC router fine joinery and details can be cut accurately.

4D